According to Primal Scream's Bobby Gillespie, "Novella [are] psych dream pop in full overdrive; sounds like the Passions in a head on collision with Neu! on an East London autobahn (if such a place exists!)"
Novella's formation was the result of an instant spark; guitarist Hollie Warren, guitarist Sophy Hollington, and bassist Suki Sou met through mutual friends in Brighton in 2010, where they quickly realized that they shared a common love for 60s counterculture and bands like Black Sabbath, the Brian Jonestown Massacre, and Pale Saints. The addition of drummer Iain Laws in 2011 and keyboardist Isabel Spurgeon in 2014 solidified the group into a propulsive engine, capable of welding woozy, cosmic psychedelia to sustained squalls of flanged-out, far-out dream pop. Novella's debut album, Land, is a controlled blast of mainlined electricity, a tempest of relentless groove and crystalline vocals that is at once the vicious edge and the calm eye of the storm.
Recorded during one ice-cold week in January of 2014 by Jonas Verijnen (Moon Duo, Ballet School) and Joshua Third (The Horrors) in an abandoned clothing factory-turned-studio in Dalston, East London, Land perfectly absorbs the band's vast array of influences and transforms them into songs that Fact Magazine described as "equal parts effete jangle and ferocious riffage." Combining London gloom and cosmic escapism, Sou and Laws channel Can and the 13th Floor Elevators on the krautrock-inspired jams like "Follow" and "Something Must Change," while Warren and Hollington stomp their homemade flanger and phaser pedals to create dueling arcs of electric guitars. As the band churns and riffs, the girls' voices soar brilliantly, their glassy clarity recalling the Lynchian shoegaze of Lush or Stereolab. During quieter, more reflective songs like "Sentences" and "Younger Than Yesterday," there are echoes of eerie psychedelia like Broadcast, evident in the myriad of flutes, synths, and Fender Electric XII guitars.
On Land, Novella captures the wild spirit of creating something new from pieces of the past. They ward off the overcast London melancholy with evocative tales of weightless meandering, of drifting over the pavement of familiar streets while dreaming about exploring fantastical alien landscapes. These are the yarns of twenty-somethings in limbo, a collection of late night tales that more often end in avoided glances than locked eyes.